I want to thank all the encoders uploaders peers and visionaries who came before me and shared so that I cou;ld collect them and share with you. A few by name this time are BippyDog, The Staff at Neotoons,WilFire, CrashRhinocerous, Noir, AXXO, Cartoon Chaos, Dummy,Muttstain,goran712,redwarfan, and Zetonman DrToons, syk1k, i2009,Tt,Fester1500,p7,Isis and BobDan. Thanks so much for your effort and dedication. And as always a shout to LORR8833 for upping the best full cartoon discs to rip. Seed please. God Bless. 777
777LORR8833nation is looking for up loaders in games ,TV, Screeners, Cams and Apps. If you have material to donate or want to be an official team up loader PM me please.God Bless.777
This Torrent Includes:
A Boy And His Dog The year in which the novella and the film take place is 2024. The few survivors who remain above ground must forage and fight for food, clean water, clothes, weapons, ammunition and women. Of these necessities, women are the rarest; most survivors are male because while the males were off fighting in the wars, their enemies bombed and destroyed their homes. Among these survivors it has become a rule of dog eat dog.
The main character, Vic (played by Don Johnson in the film), is an 18-year-old boy born in 2006 in the ruins of Phoenix, Arizona. In the novel and the film, Vic concentrates on stealing food and fulfilling his sexual needs. He is quite base, because he lost both of his parents in the nuclear war, has no formal education and doesn't understand ethics or morality. Satisfying his carnal desires remains Vic's main motivation throughout the story. He is accompanied by a well-read and wise-cracking telepathic dog named Blood, an "experienced female provider" by his advanced senses of smell and hearing. Blood's main motivation is food, notably popcorn (his favourite) which Vic is able to provide by theft or by purchasing from various vendors in the wastelands. Blood needs Vic because, as a side-effect of the genetic engineering which gave him telepathic abilities, Blood does not have the instincts to forage for food. In the film, Blood is portrayed by Tiger and voiced by veteran Tim McIntire.
Vic and Blood scavenge the deserts of the Southwestern United States, stealing for a living and evading bands of marauders, berserk androids and mutants. Vic looks up to Blood as a teacher and a father figure and Blood views Vic with equal fondness as a protégé, even though at times Blood is frustrated with Vic's rebellious nature and unwillingness to learn. Although they argue over trivial matters and threaten each other, nothing ever comes of it and in the end both agree (reluctantly) that they need each other to survive. They have also been together since Vic was born and Blood a puppy.
In addition to locating women for Vic to rape, Blood has the unenviable task of trying to educate Vic and keep him safe from harm. Blood is the result of genetic experimentation, which resulted in an intelligent canine mutation with telepathic abilities. The only human Blood can communicate with is Vic, who Blood calls "Albert" as a "term of endearment." In the later graphic novel Vic and Blood, Blood explains: "I get such a kick out of calling him Albert – after Albert Payson Terhune, who wrote all those stupid dog books in which we noble creatures were pets, always being saved by some sappy human - it is my best gambit to make him scream." It is said in the novel that Albert is Vic's real name but Vic doesn't like it.
Blood's opinion of the human race is not generally positive and Blood is somewhat misanthropic. His opinion of humans may have something to do with the fact that Blood is possibly the most intelligent and learned living thing left in the world and he looks down upon the "stupidity" of humans. Blood notes that "human sex is an ugly thing". Blood has a positive outlook on life in general and believes in a place untouched by nuclear radiation that he heard about from a police dog. Blood refers to this place at various times as "Over The Hill" and the "Promised Land", where "deer and the antelope play and it's warm and clean and we can relax and have fun and grow food right out of the ground." Blood wants to look for "Over The Hill" with Vic, but Vic won't entertain it. Vic states that this is as good as it gets and there is no "Over The Hill". The film begins with Vic sneaking through foothills in search of a bunker. An unseen voice is heard advising Vic, which is soon revealed to be his telepathic dog, Blood. When he reaches the bunker, he finds his quarry, a woman, severely mutilated and raped. He is angry and disappointed, because he is unwilling to have sex with a dead body that is so disheveled. In his sexual frustration, Blood and Vic get into several arguments, and the quirks of their relationship are revealed. Blood and Vic continue their travels and stumble upon a slave driver who's heading an excavation into another bunker. His slaves begin to pull out cans of food, and when no one is paying attention, Vic runs up and steals several cans and runs away. With their new found wealth, Blood and Vic travel to a makeshift settlement with a working projector and permanent residents - a rarity in the wasteland. While there, Blood claims to smell a woman, which excites Vic. The pair track her to a large underground warehouse.
The girl turns out to be Quilla June Holmes (portrayed by Susanne Benton in the film) the scheming and seductive daughter of the head of a large underground vault named Topeka's committee, Lou Craddock (portrayed by Jason Robards in the film), who has been sent by her father to the surface to bait Vic into much needed "service". Blood takes an immediate dislike to Quilla, sensing something wrong. He warns Vic, who ignores him. After saving Quilla's life from a band of raiders and then some mutants called "screamers", Vic spends an amorous night with her. In the morning she knocks Vic unconscious and flees. She had told Vic about where she lives and also deliberately left an access card to the vault door so that he could follow her. Vic, taken by the idea of women and sex, leaves Blood despite his pleading and pursues the young lady into "downunder".
Downunder has artificial sunlight, hydroponic bays, biospheres (with similarities to the Eden Project) and forests. One underground city, 'Topeka' after the ruins of the city it lies beneath, is fashioned in a mockery of 1950s rural innocence and brave-new-worldian madness, with all the inhabitants wearing dungarees and mime makeup. Topeka meets its need for exogamous reproduction by forcibly extracting sperm from men with machines and artificial insemination, yet the city with its limited population needs donors. Anybody who refuses to comply or defies the committee is sent off to "the farm" and is never seen again. When someone is no longer useful to the society they are sent there. "Heart attacks" and "farming accidents" are given as reasons for disappearances. The inhabitants are so brainwashed that they either do not realize or do not protest. Vic soon learns the reality of the authoritarian committee and of its need for his semen. He is initially elated at the prospect of being used for procreative services, because he assumes that the process will involve him having sex with numerous women, but this initial enthusiasm turns to horror when he is strapped to a table and a machine is used to extract his semen. Vic is told that when his sperm has impregnated 35 women, he will be sent to "the farm".
Quilla June, along with a few other rebellious teenagers have other plans for Vic. They free him and beg him to kill the committee members and their android enforcer Michael (performed by former Californian boxing champion Hal Baylor in the film), thus leaving Quilla June in power. Vic has no interest in politics or in remaining underground. Nevertheless, before Vic can shoot Lou Craddock, the other rebellious teenagers are captured by Michael and have their skulls crushed by Michael's bare hands. Vic manages to disable Michael after shooting him many times. Knowing that her plan is foiled, her co-conspirators dead and after overhearing her father order her death, Quilla decides Vic is her only chance and decides to escape to the surface with him. She tells Vic that she loves him. (She was also apparently romantically involved with one of her late co-conspirators, although this may also have been self-serving.).
Vic and Quilla discover on the surface that Blood is starving as he was not able to find food without Vic, because Blood is an elderly dog and has a broken leg from an earlier fight with a raider's dog. Blood is near death. Vic faces a difficult situation, and in a twist ending, it is implied he kills his new love and cooks her to save Blood as a bonfire is shown barbecuing food. This is implicit; the novella ends with Vic remembering her question as Blood eats: "Do you know what love is?" and he concludes, "Sure I know. A boy loves his dog". In the film, the following dialog suggests her fate: Blood states "Well, I'd certainly say she had marvelous judgment, Albert, if not particularly good taste."
Beware The Blob! Beware! The Blob (alternately titled as Beware the Blob, Son of Blob and Son of the Blob) is a 1972 sequel to horror science-fiction film The Blob. The film was directed by Larry Hagman. The screenplay was penned by Anthony Harris and Jack Woods III, based on a story by Jack H. Harris and Richard Clair. The film originally earned a GP rating from the MPAA, though it is now unrated. An oil pipeline layer named Chester (Godfrey Cambridge) returns to his suburban Los Angeles home from the North Pole, bringing with him a small sample of a mysterious frozen substance uncovered by a bulldozer on a job site. Prior to taking the blob to a lab to be analyzed, he places the storage container with the substance in his freezer, but he and his wife accidentally let it thaw, releasing "the Blob". It starts by eating a fly, then a kitten, Chester's wife, and then Chester himself, while he is watching a television broadcast of the film The Blob.
Lisa (Gwynne Gilford) walks in to see Chester being devoured by the Blob. She escapes, but cannot get anyone to believe her, not even her boyfriend Bobby (Robert Walker, Jr.). Meanwhile the rapidly-growing creature quietly preys upon the town. Some of its victims include a cop and two hippies (Cindy Williams and Randy Stonehill) in a storm drain, a barber (Shelley Berman) and his client, transients (played by director Hagman, Burgess Meredith and Del Close), a Scout Master (Dick Van Patten), a farm-full of chickens, and a bar full of people (off camera).
The now-massive blob then invades a bowling alley and a skating rink (consuming dozens more people in the process). It is finally stopped when Bobby activates the rink's ice mechanism, freezing it. While the frozen blob is being filmed by a television crew, someone drops a flashlight, melting a small portion of it. The movie ends with a cliffhanger, not knowing if the Blob is stopped, as it is about to engulf the local sheriff. * Robert Walker as Bobby Hartford * Gwynne Gilford as Lisa Clark * Richard Stahl as Edward Fazio * Richard Webb as Sheriff Jones * Marlene Clark as Mariane Hargis * Gerrit Graham as Joe, Ape-Suited Party Guest * J.J. Johnston as Sheriff's Deputy Kelly * Dick Van Patten as Scoutmaster * Tiger Joe Marsh as Soviet Dong * Fred Smoot as Pinsetter Repairman * Randy Stonehill as Guitar player, singer * Cindy Williams as Hippie
The Day The Earth Caught Fire The Day the Earth Caught Fire is a British science fiction disaster film starring Edward Judd, Leo McKern and Janet Munro.[1] It was directed by Val Guest and released in 1961.[2][3]
The film, which was made on location in London and Brighton, used matte painting to create images of abandoned cities and desolate landscapes. The production also featured the real Daily Express even using the paper's own headquarters, the Daily Express Building, in Fleet Street, London. The film opens at the end with the bulk of the story told in flashback. A lone man walks through the sweltering streets of a deserted London. The film then goes back several months. Peter Stenning (Judd) was an up-and-coming journalist with the Daily Express but a messy divorce has thrown his professional and private life into disarray. His Editor (Christiansen) no longer has time for him and has begun to give him lousy assignments. Stenning's only friend, Bill Maguire (McKern), is a veteran Fleet Street reporter, who offers him encouragement and has occasionally covered for him by writing his copy.
Meanwhile, after the Soviet Union and USA detonated nearly-simultaneous nuclear bomb tests, strange meteorological events begin to affect the globe. Due to his unpopularity in the newsroom, Stenning is sent to the British Met Office to get some facts and figures on mean temperatures. While there he meets Jeanie (Munro), a young telephonist whom he chats up.Stenning then discovers that the atomic weapons tests have had grave consequences for the Earth. He asks Jeannie to obtain any information that could help him. It soon becomes clear that the Earth has been shifted from its orbit and is moving closer to the sun; increasing heat has caused water to evaporate and mists to cover Britain.
The government imposes martial law, evacuates the cities and starts rationing supplies. Scientists conclude that the only way to bring the Earth back into a safer orbit is to detonate a series of nuclear bombs in western Siberia. Stenning, Maguire and Jeanie gather at a bar near the newspaper building and await the outcome. As the countdown reaches zero, the bombs are detonated thousands of miles away; about 30 seconds later, as the shock wave travels round the world, dust can be seen falling from the roof of the bar, an indication of the film-makers' attention to detail. Two versions of the front page of the Daily Express have been prepared for the presses: one reads "World Saved", the other, "World Doomed". Stenning, who through his investigative journalism broke the story, dictates the day’s editorial, still without any indication of whether the nuclear blasts have been successful or not. Stenning’s editorial allows for the eventuation of both success and failure while asking fundamental questions about the presence of a higher power and mankind’s capacity for both folly and love. In the meantime, the staff manning the printers of the paper anxiously wait to see which headline will be proved correct. The film ends with the sound of church bells ringing, with the viewer left unaware whether this heralds a joyous new beginning or mankind’s impending doom.
The Lost Missile
The Lost Missile is a 1958 science fiction film distributed by United Artists. It was directed by William A. Berke, who also executive produced the film and wrote the story on which it was based. The screenplay was co-written by John McPartland and the longtime science-fiction writer Jerome Bixby, and starred a young Robert Loggia.
A low budget film that relied heavily on stock footage of military forces and civil defense exercises, it carried a Cold War-era message of the importance of the work done by scientists and the military in protecting the nation from external threats.
The Slime People The Slime People is a 1963 horror film directed by Robert Hutton. The film concerns a race of subterranean reptile-men (dubbed "slime people" due to their slime-covered skin) who create a wall of "solidified fog" around Los Angeles and proceed to invade the city. A pilot (portrayed by Robert Hutton) lands in Los Angeles after some difficulties in flight, only to find the city almost deserted. Later he encounters other survivors, including a scientist and his two daughters and the group does their best to halt the further invasion of the Slime People. The film was infamous for its extensive use of fog machines, with the fog becoming so thick towards the end that it is virtually impossible to see any of the actors. The film was thoroughly made fun of on the television show Mystery Science Theater 3000, as well as a featured episode of the 1986 syndicated series, The Canned Film Festival.
The Strange World Of Planet X The Strange World of Planet X (1958) is a British science fiction horror film, and a cautionary tale about science. It was also known as Cosmic Monsters, The Crawling Terror, The Cosmic Monster, and The Crawling Horror.
The film was adapted by Paul Ryder from the 1957 Rene Ray novel of the same name; a TV serial adapted by Ray aired in Britain in 1956. A monomaniacal scientist, Dr. Laird (played by Alec Mongo), has invented ultra-sensitive magnetic fields, which begin to attract objects from space. Strange things begin happening, including a freak storm, and insects and spiders begin to mutate into giant monsters. An alien spaceship has appeared over London and begins to warn mankind against the dangers of this scientific experiment. [edit] Cast
* Forrest Tucker as Gil Graham * Gaby André as Michele Dupont * Martin Benson as Smith * Alec Mango as Dr. Laird * Wyndham Goldie as Brigadier Cartwright * Hugh Latimer as Jimmy Murray * Dandy Nichols as Mrs. Tucker * Richard Warner as Inspector Burns * Patricia Sinclair as Helen Forsyth * Geoffrey Chater as Gerard Wilson * Hilda Fenemore as Mrs. Hale
War Of The Gargantuas The War of the Gargantuas, released in Japan as Frankenstein's Monsters: Sanda versus Gaira (フランケンシュタインの怪獣 サンダ対ガイラ, Furankenshutain no Kaijū: Sanda tai Gaira?), is a 1966 daikaiju eiga (giant monster movie), and a semisequel to Frankenstein vs. Baragon.
It introduces two giant, hairy humanoids called Gargantuas, which spawned from the discarded cells of Frankenstein's monster from the previous film and are described as brothers. The Green Gargantua is violent and savage, preying upon human beings; as he lives in sea water, he is given the name Gaira (ガイラ?, from kai, "sea"). The Brown Gargantua had been raised in captivity, and is docile and gentle; because he resides in the Japan Alps, he is called Sanda (サンダ?, from san, "mountain"). The film follows the investigation and military engagements of these creatures until their climactic confrontation in Tokyo.
Several ambiguous references are made to Frankenstein vs. Baragon, such as the mention of a severed hand, but the only direct link between the films is the term "Frankenstein", which appears in the title and is used to refer to the Gargantuas ("Frankensteins") in the original Japanese dialogue. Like the previous film, which starred Nick Adams, War of the Gargantuas features a Hollywood actor (Russ Tamblyn) in the lead as a scientist, Kumi Mizuno as his colleague, and another Japanese scientist (previously Tadao Takashima, here Kenji Sahara). The similar casting has led to speculation that the film was intended to feature recurring characters. Eiji Tsuburaya helmed the special effects crew with monster suit actor Haruo Nakajima portraying the antagonistic Gaira. (Yū Sekida played Sanda.)
The film itself is rather vague as to where (if at all) The War of the Gargantuas falls in regard to the continuity of Toho's other kaiju films, or even if it should be considered a canonical part of the Godzilla series. In 2002's Godzilla Against Mechagodzilla, however, specific reference to the Gargantuas is made, indicating that (in this variation on Godzilla continuity, in any case) The War of the Gargantuas is considered by Toho to be a legitimate part of the Godzilla universe. From within the pitch-blackness of the ocean depths, a powerful green giant lurked. Armed with unquestionable strength and a bloodlust matched by no other, Gaira showed itself to be a murderous creature. Acting like the right hand of the devil, the ape like creature not only defeated the Giant Octopus, but attacked the very ship that the sea beast was just latched upon. Shoving the vessel beneath the waves, Gaira devoured most of the crew members that managed to flee the boat. Like rats from a sinking ship, they paddled their way through the waves. Unfortunately their efforts would be in vain, as the beast swam after them hungrily. But the monster's appetite called for more than just a few humans on the sunken ship, and Gaira made his way to land.
First arriving at an airport, the sea beast made its presence known to the mainland. After eating a helpless woman he snatched up, Gaira finally retreated as the sun pulled itself from the darkened clouds. Mulling over the destruction, the Japanese military went into action shortly after and set a trap for the beast. Waiting for the right time, the JSDF soldiers lured the creature deeper and deeper into the mainland. Electrified with over a million volts of power, the monster seemed to be dying, that is until his brother Sanda intervened.
Apparently the second offspring of the giant Frankenstein monster, Sanda was discovered as a child living in the forest by Doctor Paul Stewart. The creature was taken to a research laboratory where he quickly befriend one of the doctor's aids: Akemi. Though Sanda was affectionate toward his captors, he eventually escaped back to his mountain home, where he grew to enormous proportions. He would not reappear until a while later, when he rushes to the aide of his brother, Gaira who is under attack by the JSDF.
However, Sanda later discovers his brother does not share his compassion toward humanity, after catching him in the act of devouring some people. The brown giant attacks his brother in anger, driving him out of the forest. Gaira retreats straight to Tokyo, traveling through the dark waters of its harbor. Sanda follows his brother, and attempts to convince him to end his bloodthirsty ways. Gaira pays no heed and the two engage in battle destroying and leveling much of the city before dying in the volcanic aftermath
"Cheese" is generally referring to a style that has been done to death, or done poorly. In the case of old film, especially classics that have been redone for a newer audience, the originals may be seen as cheese in this time frame, which is not disrespectful to the original creators in a different era. Its all about context. Things that have been imitated many times to bring them to a new audience are truly classics because they are stories worth telling.
To all the thankful people you are welcome. However while i probably have a hundred more films to share I have spent so much time defending my choices (dl or dont) and the definition of cheese it isnt fun anymore and I will return after a while
I am looking for cartoons and Christian Rock. In particular: Skatebirds Baggy Pants and the nitwits CB Bears Vintage and current Christian rock and metal.: Mylon LeFevre Discography Petra Captured in Time and Space DVD God Bless...and thanx 777
Disclaimer: None of the files shown here are actually hosted or transmitted by this server. The links are provided solely by this site's users. The site moderation is also a service provided by the site's users. The administrator of this site (Demonoid.me) cannot be held responsible for what its users post, or any other actions of its users. You may not use this site to distribute or download any material when you do not have the legal rights to do so. It is your own responsibility to adhere to these terms.
Download Direct
Download the torrent
Download as text file
Download as magnet link
